

An unexplained cataclysm has eradicated electrical power and caused the control rods in nuclear facilities to super-heat and plants to explode, killing hundreds of millions. The cartoon is, rather, a vehicle for an entertaining fantasia on how the themes in art of one age might be transmuted by time and tragedy into poignant mythology in another.Īided by a talent-stuffed cast of seven - Steve Rosen, Kimberly Gilbert, Chris Genebach, Erika Rose, James Sugg, Jenna Sokolowski and Amy McWilliams - Washburn and Cosson propel us forward nearly a century, as civilization suffers near-extinction and “The Simpsons” lives on. It’s by no means a lampoon of “The Simpsons” - if anything, it holds up the program as something akin to the “ Oedipus” or “ Canterbury Tales” of our time. Burnses” of their own - it’s the sort of smart satire that cannot be presented in any medium better than the stage. Surely other theater companies will clamor for “Mr. Burns,” smashingly directed by Steven Cosson, artistic director of New York’s the Civilians, keeps Woolly on a trajectory as one of the most influential outposts for the best new American plays. The world premiere brings to a startling climax another vibrant season for Woolly Mammoth Theatre, which began 2011-12 with the striking “ A Bright New Boise,” after years in which it unveiled talked-about works such as Mike Daisey’s “ The Agony and the Ecstasy of Steve Jobs” - returning this summer - and Bruce Norris’s Pulitzer Prize-winning “ Clybourne Park.” “Mr.
Inmr martin electrical movie#
Using a single episode of “ The Simpsons,” in which the cartoon parodied the 1991 remake of the movie thriller “ Cape Fear,’’ playwright Anne Washburn shows us with astonishing audacity (and terrific music by Michael Friedman) what might happen if technology failed us even as the primal need to make sense of our experiences lived on. It’s a witty, bizarre, thoroughly riveting inquiry into the comforting - some might say confounding - durability of pop culture, as well as a rather sweet exploration of storytelling and how our innocence as a species is rekindled every time we retell or revise an old tale. Burns, a Post-Electric Play” is the sort of once-in-a-blue-moon show that stays stuck in your brain long after it has chilled you to the bone.
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As inexhaustibly original as the animated series that inspired it, the kookily brilliant “ Mr.
